Is captured in the Dakumentary. I'm honestly so proud of my Movie Orgies. They're something totally fresh and new, and that's scary to the pro film industry. If some broke-ass loser can make compelling films with her phone and el cheapo VFX, then it undermines their hegemony. That's why my Ads have received a mixed press imo. - To SPADA and the NZ Film Commission: No tina, no feature, no deal.
No netflix series that rips off lame American TV shows; only the dakumentary. I haven't met with you. I haven't consented to producing it, and no means no. Even crazy people are allowed creative autonomy. I'm not willing to rewrite my Tina scripts for anyone. I said no; I told you I'm writing a book, and please respect that decision. -
I made a massive epic. I'm not doing it all over because none of the pro filmmakers were willing to participate.
The pro journos were, though, and that's why the film is now really, really good. 👋
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Get behind my 2030 musical. That's all I'm willing to produce professionally. I intend to finish my first draft, do a reading, and then consider my next steps. My trannie autobiography is going to be incorporated into my book. That's a totally fair, valid decision. - I honestly don't care if the nation hates my 2030 script. I love it, and those are my songs. It's actually my choice what story I wish to tell with those songs. I'm choosing to tell the futuristic climate change musical with those songs.
That's all.
As a DIY filmmaker that has never received funding for any of my ideas, I don't feel beholden to the state regarding my professional choices. Films are supposed to be a medium of free expression, and that's precisely why I pivoted towards experimental movies rather than mainstream movies. I hate it when people use that collectivist tall poppy bullshit to attempt to force me to be their trannie icon when they've literally made me feel like I'm a sick freak that they despise. How about writing me a realistic email, pro producers?