VFX demands - Fables

The Plaything: Te Kore, acid VFX, dissolving background (though that's debatable, and there's probably easier ways of doing it). - A Night To Remember: Angels and Demons footage with a de-aged movie star. - Dirty Creatures: virtually entirely VFX in the modern style. Motion capture Kay-3, 3310 cityscape for the opening, Cyborg/mech, Senator of Mars. Flashbacks, Kay-3 falling from the skyscraper. - Revenge of the Veggies: Stop-motion and miniatures? - Pushing The Boulder: Hal's vision, Stargate SG1-style transdimensional VFX. Various monitors with beeps and boops, and surveillance footage from Earth-1. - Merging With Gaia: the opening wide of the futuristic facility. Jill's decapitation. - The Dispatcher: Kelly's various monitors. Agent X's cryo facility in the Outback. Agent X stops the tsunami. Agent X teleports to his oasis and builds castles. - The Day The Flat Burned Down: possible acid VFX for Colin and Kirsten, the mould, and the vaporisation of the flat. - Weapons of War: well, if we do it as a live-action film, then we need the energy beams and the EMP that kicks off the story. Otherwise, it's a cartoon. - The Brown Stain: the House MD-style effect of Ron smoking the final cone. - If this is light, it's because a lot of the tools are practical things like mise-en-scene or blood packs or makeup. Like, ultimately I think we might need to build some sets, and I'm keen to do that.