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To the Film Commission

Writer: Amanda Riddell
Amanda Riddell
47 minutes ago
1 min read

No, you can't pretend like my 1980's Dunedin Rock film is a derivative of Weeded Out. The only reason you're attempting to pull that shit is that those songs aren't in Shipwrecked on Islands, and you thought I might bend as a result. Sorry. The Imagine Triptych is on track to make more money than any films in history. Well over $100 billion, including publishing the hits and other subsidiary uses. I know, it shocked me as well! We tapped into the international market. - That means the songs are too expensive for you. Buy my treatment and write others. No, I won't play the lead. Jordan Rivers can. If we do it for Imagine, then my songs are on the table. - The Weeded Out money has to go to me. Account of profits following fraud = I win. Yes, it's $3 million, but my trans documentary series might cost that much. My suggestion is that the Commission take a year off for retooling. No new films until the safety of your process is proven.

 
 
 

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2 Comments

Amanda Riddell
Amanda Riddell
an hour ago

The irony is richly apparent. Tories just don't like admitting loss. Despite years of calling me a barely competent person and grade-A creep that needed to 'graduate' to a Film Commission film, I've produced several independent features. These films are generally considered to be strong, perhaps better than yours. The PSNA film is on track to win me an Oscar. You guys couldn't even film that rally. Several of my films are getting theatrical runs on the back of our TV success.

Edited
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Amanda Riddell
Amanda Riddell
35 minutes ago
Replying to

The tech barons are bitching that their electronics made us rich, but we're actually in the same business as them: the IP business. Technology is only valuable because certain people own patents. Without those patents, it's essentially free. Legal work is only valuable because we work in a system of laws. Without those laws, it's just drivel. Finance is only valuable because patents allow you to invest in certain companies. Without IP, you don't have a business either. Entertainment is only valuable because very few can move an audience. Without people like me, there is no business and no profit. All your petty bitching was actually about who owns the IP of the Triptych. It's Paul and I, though that should have been obvious. Given this, I'm expecting an about-face and…

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