Jane
- Amanda Riddell
- Oct 16, 2023
- 1 min read
Galbraith wasn't the first guitarist I'd seen with that stance. Brooke from my high school had a unique classical guitar technique which was cello-like, but he played the guitar a lot of different ways. I'm like that too, and I find that the slack-key technique is the least effort to produce. I don't change the tuning, though. My vision was a guitar which was pianistic in terms of how it handled all 12 tones equally, so I like to show that off in things like Pan's Preludes. But my own technique seldom produces ET. I started young in another tradition. Like, aside from any of the famous people, my grandma was an HOD of music, so it runs in the family. I'm just third-generation, but perhaps more on my paternal grandfather's side. His ancestry is still somewhat cloudy. My Mum mentioned Finnish and French heritage on Adrian's side of the family. Adrian's voice is where my singing comes from.
Pippa being my Mum. Now that she's been to New York, I think people get me over there. But cis isn't really my thing. The problem with Charlie is I'm already too old; that's also why Kert wasn't in the film of West Side Story. Voices are important for film, but age is more important. Hannah was in her mid-twenties, so a reasonably mature soprano. We felt like we writing about characters a few years older than ourselves, so that was baked into the film.
Mum says she never heard Grandad sing, but I used to hear him sing when I was a kid. Not often, but at church services and other things like that.
That's my 'imitation of a baritone' sound, but I can copy anyone. 🔥