The Perfumed Garden
- Amanda Riddell
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- Dec 20, 2024
- 1 min read
NZ Opera is going to do it my way, or they're not going to get to do it at all.
That's what I get to say as a public figure that they think is a draw.
I refuse to be Beder. I refuse to be on stage in any capacity because I'm a composer.
I want full nudity. It's not a negotiation. I want full nudity and I want the aria to be about the man's penis. If Dave's not willing to write that, then I will.
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This is also me shaming them for the brownwashing of Voices of Aotearoa.
I think Beder and most of the principal cast should be practicing Muslims.
Maybe not the King, but the women. I don't want to do a codpiece Arabian Nights where white people laugh at the funny customs of another culture.
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I want a giant dildo on the stage smacking people in the face!
I want beheadings. I want it to be raw and real because the other reason I want to do this piece is to shame the rich Wellingtonians and their treatment of sex workers.
Re: process. You did things your way and you split the company in half over a frivolous piece that you tried to make 'deep' with ham-fisted social commentary -- that's why you wanted to 'borrow' my songs, my body and voice. NZ Opera doesn't get to tell me how to write an opera, and neither does VUW.