2030 is a human drama

Throwing my own words back at me won't persuade me to do an origin story. I think that if I was cisgender people would be keen on my 2030 musical, and that's literally the engine that generated the songs that people dig. The songs are the human drama in that story. - Plus there's a part of me that's sick of doing drug law reform and trans-related art, and I want to demonstrate to people who think those are frivolous and unimportant issues that I care about the big picture stuff like climate change.

Keeping me in the trannie ghetto, or telling me to 'do it as a guy', is insulting. I'm finishing that 2030 draft, and I'm adapting my trilogy of gay scripts into prose.