Well, as you can see, I'm quite a competent feature filmmaker.
Wellington Stories demonstrates that. I want the 2030 musical to be real, and I also want to actually cast singers for Jo and all those roles.
There's nobody in musicals in this country that's a big name that could get financing, but that's really why I raised my profile. Like ALW, I'm a name, so that's my goal: to trade on my name to get that concept album done.
It's rather frustrating that the pros are so in love with Tina. It makes me think that they're not so friendly towards me and wish that I was him rather than me.
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As for the shorts and my Tina story: I'm writing a book. Then you can discuss those rights.
Btw my Māori teacher said not to publish course material on Facebook, so that's also something other people take seriously. Copyright is real important, though I admit that for visual media that piracy has become surprisingly important.
Pirate libraries are more likely to preserve certain types of movies, particularly ones that are currently in the public domain (that's most of what the Internet Archive has).
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I really want to move to another city. I'm sick of Wellington.
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Loved watching my films. It was really good: felt like seeing 'my voice', though really that's more Emanuel's voice. Shipwrecked 2030 means something to me because it's the first musical that was entirely my idea.
If you're wondering, Sondheim came up with Sweeney Todd and Passion. That's his taste.
What does it all mean? Well, I think the final words have it: 'a brilliant transience' .. that's what love is. 🩷
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no. no poi, no stage shows. I refuse. And that's actually because I hate you all. 🤣
The Usher has that aspect lol.
That's rude, but yeah: I fucking hate theatre kids; they're so annoying.
People are surprised when they find out that I'm not a luvvie, but fuck I hate that shit.
I'm really into assertive people. That's what I like, and all that groupthink that I feel from most of the luvvies is precisely what Some Kind of Love rebelled against.
I like doing the cocktail music thing, though. People should hire me for that.
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Yeah, it's different in other contexts; like, I love the realness of being outdoors and one of my superstitions was that whole one-take thing that I did for much of my guitar music.
I thought that people would think it was fake with several angles, while those shots demonstrated me as a fast picker and were very raw.
I hit Don McGlashan up about a chat; it seems like wheels are in motion for that.
I hope that he dug the trilogy. 👋
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